Deep Green, Cascade-Siskiyou National Monu- ment, Jackson County, Oregon, July 20, 2019

2021


Deep Green, Cascade-Siskiyou National Monu- ment, Jackson County, Oregon, July 20, 2019Compilation of  20-second excerpts from 24-hour 4K video (3840 x 2160) at different times of day.

Deep Green is the second in an ongoing series of 24-hour archival recordings of wild landscapes. Each recording in the series is captured in real time with a stationary digital cinema camera and multiple microphones, and is exhibited as an ultra-high-definition video that is synchronized with the time of day (for example, at 11am one sees and hears what was recorded at 11am). The Schneider Museum of Art in Ashland, Oregon commissioned Deep Green, exhibited it in 2020, and will accession it into its permanent collection later this year (2021), ensuring its long-term preservation.


Background

 

"To me, every hour of the day and night is an unspeakably perfect miracle." - Walt Whitman

 

Our planet is in the midst of an unprecedented ecological transition. It goes by various names: climate change, mass extinction, the Anthropocene. As an artist who makes landscape pictures, I am struck by the fact that even the most carefully protected wilderness areas will, over the coming decades, be radically transformed. What will our few remaining wild places look and sound like a century from now? It was with this question in mind that I set out to make a series of archival landscape recordings that capture the preciousness and fragile beauty of nature on the brink and, equally important, preserve for future generations a kind of wilderness experience that is itself endangered.

 

The first film in the series, New Nature, Balsam Lake Mountain Wild Forest, Ulster County, New York, October 15, 2016  has been exhibited widely and was acquired by the Bowdoin College Museum of Art, ensuring its long-term preservation. I hope to place future recordings in other museum collections, to exhibit them in art spaces, and also to present them in nature centers, hospitals and other venues where they might reach broader audiences.

 

In this work, I am interested in the traditions of Western landscape painting and photography, and how they reflect our changing ideas about the natural world. If, for example, we understand the paintings of the Hudson River School and the frontier photographs of Carlton Watkins and his peers as expressions of manifest destiny, what kinds of landscape images might flow from the ideology of environmentalism in an age of climate change and mass extinction, as we come to realize that even the wildest places are being transformed by human impact?

 


Funders

 

In 2019, I received a grant from the Puffin Foundation for the production of this project. That same year, I also ran a successful Kickstarter campaign to raise funds to complete Deep Green.

 

The following video, made for Kickstarter, explains the project in 2 minutes:

 

Deep Green, Cascade-Siskiyou National Monu- ment, Jackson County, Oregon, July 20, 20192-minute video for Kickstarter Campaign.


Special thanks

 

Christine Beekman

Cate Bendock

Louis Bengston

Wanda Chin

Terry Dickey

Zack Dougherty

Diane Eek

Brian Jackson

Dulce Lamarca

Scott Malbaurn

Kent Romney

Charles Schelz

Keegan Van Hook

Tripp White

Filipe Zapelini

 

 

Puffin Foundation & Sourdough Chapter of the Backcountry Horseman of Oregon


Press

 

Medium: "People say making art in times of crisis is like fiddling while Rome burns, or like the musicians on the Titanic who kept playing as the ship went down. I'm like, 'Play on'". 

- Katheryn Thayer, "After Archiving Thousands of Digital Artworks, Rhizome’s Mark Tribe Turns to the Environment."